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The legal right to act as a projectionist in a public movie theater was, and to some extent still is, regulated, to varying degrees in different jurisdictions. In the United Kingdom, for example, this requirement was introduced in the Cinematograph Act 1909, and effectively prevented the projectionist from also carrying out a public-facing role. Concerns over the flammability of nitrate film, following several major fires during the cinema's first decade resulted in the increasing regulation of film exhibition, including the requirement that projectors be housed in fireproof booths, segregated from the auditorium. The light source for most projectors in the early period was limelight, which did not require an electricity supply.īetween approximately 19, two factors combined to transform the role of the projectionist into a separate job with a specific profile of skills and training. Before the emergence of purpose-built movie theaters, film projectors in venues such as fairgrounds, music halls and Nickelodeons were usually operated by a showman or presenter, in the same way as a lanternist. The need for professional projectionists arose from the commercial showing of movie films to the general public in buildings specifically designed for the purpose or using variety theatres as part of the "bill", which began towards the end of the first decade of the twentieth century. The dates given in the subject headings are approximate. 1.4 Final film period (early 1980s–present).